The pre-sales are well underway and I am feeling overwhelmed by not only the financial generosity, but the encouragement and enthusiasm for the project my friends have shown. I think anyone who creates art of any sort walks a fine line between pride and doubt. I love writing songs and making music and think I have a great catalogue of tunes--until I put it out there for others to hear -- and then I suddenly think I have been kidding myself. So having you all back me in this endeavor not only ensures the album can be recorded, it gives me affirmation that this is what I should be doing--so I thank you!
Pre-sales are not the only preparation I have to do before I go into the studio. I have plenty of homework to do -- and I'm not even talking grad school--that's a whole other ball game! I thought I would share a few details about the project and what, specifically, I am working on.
I'll be recording with Tom Prasada-Rao and Cary Cooper at their studio, The Wildwood Tofu Bar, in Dallas. I have known Tom and Cary for sometime. They play quite regularly at The Listening Room, they taught a songwriting workshop at The Flatwater Folk Festival here in Hastings last summer which I attended, and then we got to hang out in Lyons, CO this summer at Planet Blugrass's The Song School and the Rocky Mountain Folks Festival. I love their music. I know they are fantastic at what they do. I trust them. I figure if I am going to do it, I may as well go all out and do it right.
Right now, I am working on finalizing what songs I want to record. I have six years worth of tunes to sift through--many have stood the test of time and there are many new-ish songs I want to include too. Keeping it to ten tracks will be difficult. Many of you have already weighed in on what you want and I will do my best to fulfill your requests, but something has got to give!
I am practicing the songs I know will go on the CD with a metronome. I like to call it my metro-gnome, but I'm an idiot :) In the studio I'll play with a click track--which is essentially, a digital metro-gnome. This will assure that I keep my rhythm steady throughout the song. We'll record the guitar track first with the click track and THEN record drums and all the other instruments. The click track ensures that all the parts line up. It seems like a simple thing...I would say I have a good sense of rhythm...but the metro-gnome is hard! That infernal clicking in my ear! So it's practice, practice, practice. The more prepared I am to play my songs a) flawlessly and b) with the click track, the smoother and faster (and therefor cheaper) things will go in the studio. So, most evenings you can find me sitting on the piano bench in my living room with an earbud in my left ear plugged into the metro-gnome, tapping my foot, playing a song over and over again and trying not to curse :)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment